Description:

From Publishers Weekly

What happens when a 43-year-old man returns to live in his hometown after serving a 25-year prison sentence for murder? That is the dramatic question at the center of this fifth novel by Morris (Songs in Ordinary Time; A Dangerous Woman). A contemporary Rip Van Winkle, Gordon Loomis returns to the home he left at age 18 to find a deteriorating neighborhood, overrun by drug dealers and mired in poverty. Gordon's brother, Dennis, sister-in-law Lisa and loyal friend Delores can all forgive Gordon for his crime, but he can't forgive himself. Though expertly drawn, Gordon is an enigmatic figure. Is he a bland and dull-witted giant ("three hundred and fifty pounds, six and a half feet tall") who just wants to be left alone or a paragon of virtue? Is Gordon's interference in his brother's marriage wrongheaded meddling or blessed intervention? When he aids Jada, a teenage neighbor whose mother is a junkie, is he asking for trouble or lifting up an oppressed and innocent child? Because he is a known ex-convict, Gordon becomes the neighborhood scapegoat, punished for his good deeds by those he seeks to help and protect. Only besotted Delores believes wholeheartedly in Gordon's goodness. Though Delores does eventually win Gordon's affection, he is alternately repulsed and comforted by her desperate loneliness and overeager attempts to help other people. Once again, Morris scores with her sympathetic portrayals of hard-to-like heroes and hopelessly floundering outcasts, infusing them with humanity. The plot picks up pace toward the end, reaching a fevered pitch as Gordon faces new (and unfounded) accusations, and the novel comes to a redemptive but satisfying and believable conclusion.
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From

Gordon Loomis, 43, imprisoned for 25 years for his participation in a robbery-murder, is released on parole. Instead of starting with a blank slate, he opts to return to his old neighborhood in Dearborn, Massachusetts, which is now decayed and drug-ridden. Gordon's principal edict is to lie low and not get too involved with the police, his family, or Delores, the friend who faithfully visited him all those years. Gordon spurns his brother's attempts to help him get a job, afraid of the inevitable reaction when his identity is discovered. His fears are justified when job offers are suddenly withdrawn, and elderly neighbors cringe at his offers of assistance. Suffocated by dread and lingering guilt, Gordon can barely cope with life outside prison walls, and Delores' intrusive attention and the obvious need of a pathetic neighbor, forced by her mother to deal drugs, are more than he can bear. Morris has previously established her affinity for the misfits of the world. Her empathy for Gordon and his supporting characters in this novel, her fifth, is palpable, leaving the reader in awe of her uncanny ability to capture and convey each personality's unique essence. Deborah Donovan
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