“Pathos and humor shine through to make this a black comedy of rare distinction, and the penguin is an invention of genius.” —The Spectator
PRAISE FOR THE PENGUINS
“A striking portrait of post-Soviet isolation. . . . In this bleak moral landscape Kurkov manages to find ample refuge for his dark humor.” —The New York Times
“Delicious...when Viktor finally finds Misha it is as if Woody Allen had gone to meet Kurtz.” —The Spectator
“The deadpan tone works perfectly, and it will be a hard-hearted reader who is not touched by Viktor’s relationship with his unusual pet.” —The Times (of London)
Description:
From Booklist
"To every time, its own normality." As if to test the limits of his own premise, Ukrainian writer Viktor and his pet penguin, Misha, find themselves in a situation so bizarre as to challenge the very idea of normality. When Viktor is hired to write obituaries of Kiev VIPs to be kept on file, it seems like a great gig. Then the VIPs start to die with a regularity suggesting that Viktor has been signing death warrants, not writing obituaries. From there it's only a short step to Viktor's realization that someone is writing his obituary. As with Daniel Pennac's series about the Mallaussene family (see review on p.2089), Kurkov's novel exists in an all-encompassing vacuum that, like a kind of narrative narcotic, insinuates itself into the reader's pores until, yes, what was once surreal has achieved its own normality. Viktor and Misha, in the grip of circumstances beyond their control, are like us in ways we would never have dreamed possible, and Kurkov, we realize with a bit of a shock, is a strangely entrancing writer. Bill Ott
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Review
“Pathos and humor shine through to make this a black comedy of rare distinction, and the penguin is an invention of genius.”
—The Spectator
PRAISE FOR THE PENGUINS
“A striking portrait of post-Soviet isolation. . . . In this bleak moral landscape Kurkov manages to find ample refuge for his dark humor.”
—The New York Times
“Delicious...when Viktor finally finds Misha it is as if Woody Allen had gone to meet Kurtz.” —The Spectator
“The deadpan tone works perfectly, and it will be a hard-hearted reader who is not touched by Viktor’s relationship with his unusual pet.”
—The Times (of London)