Many coming-of-age memoirs depict a journey through hellish abuse. Sampsell’s verbal snapshots capture the more peripheral scene of a kid along for the ride, under the watchful eye of a distant, resentful father—“a humorless, God-fearing bore.” For many who grew up in the 1970s and ’80s, the details of this American life will be familiar: the music, the sports teams, the Jaws-inspired aquaphobia, the release of the hostages from Iran, the mannerist rebellion of New Wave. Other aspects will resonate with males, from the naive cruelty of boys to elaborate strategies built around the acquisition and secretion of dirty magazines, to a candid account of obsession with girls and/or sex that recalls Jeffrey Brown’s tell-all graphic novels. McSweeney’s readers may recall some of these pieces reworked and fleshed out from an earlier chapbook, and while some newer passages (such as those about the abuse and institutionalization of Sampsell’s half-sister) feel arbitrarily chopped into vignettes, mostly the material perfectly fits the form, shards of memory fused into a compelling concretion of moments. A worthy addition to the work of such contemporary memoirists as Nick Flynn, Augusten Burroughs, Dave Eggers, and Stephen Elliott. --David Wright
Description:
From Publishers Weekly
A memoir in collage form, this frank but fragmented narrative chronicles the author's early life in the Pacific Northwest. Told in a series of small pieces, some less than a quarter of a page long, Sampsell follows a stream-of-consciousness series of memories centering loosely around a collection of family secrets unearthed after his father's funeral. Replicating the effects of memory, Sampsell's chronicle begins piecemeal and becomes more detailed as it goes, emphasizing the unfiltered honesty of the story and his efforts to tell it. Though it can be frustrating waiting for the pieces to add up, there's enough bathos, dysfunctional family antics and coming-of-age adventures-naked photoshoots, psychiatric hospitalizations, late-night donut shops and the tri-city New Wave scene-to keep readers turning pages. Sampsell's eye for detail and deadpan delivery envliven a dark personal history with bathos and a powerful desire for understanding.
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From Booklist
Many coming-of-age memoirs depict a journey through hellish abuse. Sampsell’s verbal snapshots capture the more peripheral scene of a kid along for the ride, under the watchful eye of a distant, resentful father—“a humorless, God-fearing bore.” For many who grew up in the 1970s and ’80s, the details of this American life will be familiar: the music, the sports teams, the Jaws-inspired aquaphobia, the release of the hostages from Iran, the mannerist rebellion of New Wave. Other aspects will resonate with males, from the naive cruelty of boys to elaborate strategies built around the acquisition and secretion of dirty magazines, to a candid account of obsession with girls and/or sex that recalls Jeffrey Brown’s tell-all graphic novels. McSweeney’s readers may recall some of these pieces reworked and fleshed out from an earlier chapbook, and while some newer passages (such as those about the abuse and institutionalization of Sampsell’s half-sister) feel arbitrarily chopped into vignettes, mostly the material perfectly fits the form, shards of memory fused into a compelling concretion of moments. A worthy addition to the work of such contemporary memoirists as Nick Flynn, Augusten Burroughs, Dave Eggers, and Stephen Elliott. --David Wright