Pauline Gedge is a master at recreating the golden age in Egypt. Her heroine, Thu, a peasant girl from the village of Aswat, possesses both beauty and intelligence. To her good fortune Thu is found and brought to the center of society. She is chosen and trained for the court of Pharaoh Ramses. Her talent and guile win her a post in the harem.
Thu rises in favor, is betrayed in a court intrigue that threatens her life and falls from grace. Pharaoh spares her life but banishes her to serve the priests at the lowly temple of Wepwawet near the first cataract.
House of Illusions opens on Gedge's vividly recreated Egypt, sixteen years after Thu's banishment. During her exile she writes an account of her court life and the betrayal for which she seeks revenge. Taking place three thousand years ago, ancient Egypt's daily life and customs are woven into the story. In a world without soap and little water, natron served quite well. Gedge is able to get into the mind of the courtiers and their attitudes to their servants. While beneath the "masters", these "inferior" beings are very much a part of the family.
The mysterious Hathor, Thoth, Amun and Ma'at are part of the Egyptian pantheon. They enter the daily life of the characters and the mystery begins to make sense. Never again will the reader scoff at these queer religious notions. The harmony and truth Ma'at embodies guides Thu in seeking her revenge.
Description:
From Kirkus Reviews
Ancient history comes alive and stays that way as Thu, the Egyptian peasant in Lady of the Reeds (1995) who became a pharaoh's concubine and was then banished, now triumphantly vindicates herself. Like its predecessors, this fifth in a series is set at the height of ancient Egypt's influence. Gedge excels at setting the scene and subtly evoking a sense of the period as she tells a timeless story of greed, love, and revenge--a story that picks up 17 years after Thu has been banished to her native village of Aswat for her part in a plot to murder the Pharaoh Ramses. Kamen, a young soldier and the adopted son of a merchant, now on his way back from Nubia, spends the night in Aswat and is accosted by a blue-eyed woman who asks him to deliver an intricately bound package to the pharaoh. Kamen's companions dismiss the woman as mad, but he himself, not entirely convinced of her madness, agrees to take it. Back in the capital, he hands it over to his commanding general Paiis, and when Paiis realizes what the package contains--Thu's account of the role Paiis and others played in the plot to murder Ramses--he and his co-conspirators act quickly. Kamen is commanded to bring the woman to the city, and so, once again in Aswat, he and Thu narrowly escape an assassin. As Thu seeks a hearing in the capital, she and Kamen are ruthlessly hunted down by the former plotters. Only the intervention of the dying Ramses and his heir saves them. Justice is done, and Thu is not only reunited with her long-lost son but meets up again with the only man she's ever loved--the man who used, deserted, but never forgot her. Thu is larger than life, and coincidences abound, but Gedge is so splendid a teller of tales that all is forgiven. First-class historical fiction. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Product Description
Pauline Gedge is a master at recreating the golden age in Egypt. Her heroine, Thu, a peasant girl from the village of Aswat, possesses both beauty and intelligence. To her good fortune Thu is found and brought to the center of society. She is chosen and trained for the court of Pharaoh Ramses. Her talent and guile win her a post in the harem.
Thu rises in favor, is betrayed in a court intrigue that threatens her life and falls from grace. Pharaoh spares her life but banishes her to serve the priests at the lowly temple of Wepwawet near the first cataract.
House of Illusions opens on Gedge's vividly recreated Egypt, sixteen years after Thu's banishment. During her exile she writes an account of her court life and the betrayal for which she seeks revenge. Taking place three thousand years ago, ancient Egypt's daily life and customs are woven into the story. In a world without soap and little water, natron served quite well. Gedge is able to get into the mind of the courtiers and their attitudes to their servants. While beneath the "masters", these "inferior" beings are very much a part of the family.
The mysterious Hathor, Thoth, Amun and Ma'at are part of the Egyptian pantheon. They enter the daily life of the characters and the mystery begins to make sense. Never again will the reader scoff at these queer religious notions. The harmony and truth Ma'at embodies guides Thu in seeking her revenge.