Robert Caro's Master of the Senate examines in meticulous detail Lyndon Johnson's career in that body, from his arrival in 1950 (after 12 years in the House of Representatives) until his election as JFK's vice president in 1960. This, the third in a projected four-volume series, studies not only the pragmatic, ruthless, ambitious Johnson, who wielded influence with both consummate skill and "raw, elemental brutality," but also the Senate itself, which Caro describes (pre-1957) as a "cruel joke" and an "impregnable stronghold" against social change. The milestone of Johnson's Senate years was the 1957 Civil Rights Act, whose passage he single-handedly engineered. As important as the bill was--both in and of itself and as a precursor to wider-reaching civil rights legislation--it was only close to Johnson's Southern "anti-civil rights" heart as a means to his dream: the presidency. Caro writes that not only does power corrupt, it "reveals," and that's exactly what this massive, scrupulously researched book does. A model of social, psychological, and political insight, it is not just masterful; it is a masterpiece. --H. O'Billovich
From Publishers Weekly
As a genre, Senate biography tends not to excite. The Senate is a genteel establishment engaged in a legislative process that often appears arcane to outsiders. Nevertheless, there is something uniquely mesmerizing about the wily, combative Lyndon Johnson as portrayed by Caro. In this, the third installment of his projected four-volume life of Johnson (following The Path to Power and Means of Ascent), Caro traces the Texan's career from his days as a newly elected junior senator in 1949 up to his fight for the Democratic presidential nomination in 1960. In 1953, Johnson became the youngest minority leader in Senate history, and the following year, when the Democrats won control, the youngest majority leader. Throughout the book, Caro portrays an uncompromisingly ambitious man at the height of his political and rhetorical powers: a furtive, relentless operator who routinely played both sides of the street to his advantage in a range of disputes. "He would tell us [segregationists]," recalled Herman Talmadge, "I'm one of you, but I can help you more if I don't meet with you." At the same time, Johnson worked behind the scenes to cultivate NAACP leaders. Though it emerges here that he was perhaps not instinctively on the side of the angels in this or other controversies, the pragmatic Senator Johnson nevertheless understood the drift of history well, and invariably chose to swim with the tide, rather than against. The same would not be said later of the Johnson who dwelled so glumly in the White House, expanding a war that even he, eventually, came to loathe. But that is another volume: one that we shall await eagerly. Photos. Copyright 2002 Cahners Business Information, Inc.
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Amazon.com Review
Robert Caro's Master of the Senate examines in meticulous detail Lyndon Johnson's career in that body, from his arrival in 1950 (after 12 years in the House of Representatives) until his election as JFK's vice president in 1960. This, the third in a projected four-volume series, studies not only the pragmatic, ruthless, ambitious Johnson, who wielded influence with both consummate skill and "raw, elemental brutality," but also the Senate itself, which Caro describes (pre-1957) as a "cruel joke" and an "impregnable stronghold" against social change. The milestone of Johnson's Senate years was the 1957 Civil Rights Act, whose passage he single-handedly engineered. As important as the bill was--both in and of itself and as a precursor to wider-reaching civil rights legislation--it was only close to Johnson's Southern "anti-civil rights" heart as a means to his dream: the presidency. Caro writes that not only does power corrupt, it "reveals," and that's exactly what this massive, scrupulously researched book does. A model of social, psychological, and political insight, it is not just masterful; it is a masterpiece. --H. O'Billovich
From Publishers Weekly
As a genre, Senate biography tends not to excite. The Senate is a genteel establishment engaged in a legislative process that often appears arcane to outsiders. Nevertheless, there is something uniquely mesmerizing about the wily, combative Lyndon Johnson as portrayed by Caro. In this, the third installment of his projected four-volume life of Johnson (following The Path to Power and Means of Ascent), Caro traces the Texan's career from his days as a newly elected junior senator in 1949 up to his fight for the Democratic presidential nomination in 1960. In 1953, Johnson became the youngest minority leader in Senate history, and the following year, when the Democrats won control, the youngest majority leader. Throughout the book, Caro portrays an uncompromisingly ambitious man at the height of his political and rhetorical powers: a furtive, relentless operator who routinely played both sides of the street to his advantage in a range of disputes. "He would tell us [segregationists]," recalled Herman Talmadge, "I'm one of you, but I can help you more if I don't meet with you." At the same time, Johnson worked behind the scenes to cultivate NAACP leaders. Though it emerges here that he was perhaps not instinctively on the side of the angels in this or other controversies, the pragmatic Senator Johnson nevertheless understood the drift of history well, and invariably chose to swim with the tide, rather than against. The same would not be said later of the Johnson who dwelled so glumly in the White House, expanding a war that even he, eventually, came to loathe. But that is another volume: one that we shall await eagerly. Photos.
Copyright 2002 Cahners Business Information, Inc.