The Year of the Hare

Arto Paasilinna; Pico Iyer; Herbert Lomas

Language: English

Publisher: Penguin

Published: Dec 28, 2010

Description:

From Publishers Weekly

First published in 1975 at the height of the back-to-nature movement, Paasilinna's charming, low-key allegory pursues a journalist abandoning his Helsinki life for the companionship of a pet hare. Approaching middle age--"the hopes of youth had not been realized, far from it"--Kaarlo Vatanen takes off after a hare he and his friend have accidentally hit while driving. He tends to the hare's leg, befriends the critter, deserts his friend, gradually sheds his former life, and eventually refits a cozy cabin in the wilds of Lapland. Paasilinna fashions in each step of Kaarlo's transformation a test of society's institutions, and finds each, not surprisingly, wanting, from law enforcement and the construction industry to the army. The hare, meanwhile, is innocently plucky, leaving his droppings on the altar of a church and in the soup of a Swedish lady. It's cute enough, if baldly obvious in the way that parables often are. (Jan.)
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From

A Finnish journalist and a photographer out on assignment one June evening suddenly hit a young hare on a country road. The photographer, ultimately unsympathetic, abandons his journalist companion Vatanen, who sets off to find the wounded hare. Vatanen develops a close bond with the hare and in their adventures together, they witness people's avarice, inhumaneness, hypocrisy, cruelty, participation in bureaucracy, and mere existence, rather than living, in the world. This last realization in particular is life altering for Vatanen: he quits his job, discards his hopeless marriage, sacrifices financial security, and sells his most prized possession (a boat). All this Vatanen replaces with a life of odd jobs and on-the-road experiences. This picaresque novel could simply depict a middle-age crisis, but it reaches beyond fantasy or fiction, becoming mythic in its universal themes. The story is inventive, satirical, and quite humorous. It is also refreshingly sentimental in the sense that Paasilinna reaffirms our connection with the animal world and our inherent need for happiness and freedom to maintain quality of life. Janet St. John