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Amazon.com Review

This fact-based thriller is more facts than thrills, as Earl Emerson, a lieutenant in the Seattle Fire Department who's penned a series of solid mysteries featuring detective Thomas Black, puts his professional expertise front and center. That may be a plus, as the book's centerpiece is an arson fire in a skyscraper, a scene that brings the NYFD's heroism on 9/11 sadly to mind, giving this book in timeliness what it lacks in narrative drama. There's a plot somewhere here which has to do with a few venal, scheming bad guys in a (fictional) Seattle Fire Department who keep a hero fireman from upsetting their big score by discrediting him, and when that doesn't work, trying to kill him. But Emerson concentrates less on character, story, and pacing than on the highly technical details of urban firefighting, which, while perhaps widening Emerson's appeal to a general audience, may make this title less than compelling to the devoted fans of his mysteries. --Jane Adams

From Publishers Weekly

Seattle fireman Emerson, of Shamus Award¤winning Thomas Black detective series fame, returns with his 12th novel¢a tale of arson, intrigue and sublimated rivalries among Seattle firefighters. John Finney, son of a retired fire chief and brother of a 21-year veteran, is haunted by the fire that killed one of his colleagues and placed him under departmental suspicion. Finney thinks the fire was arson, but can't prove it¢until two other fires erupt under even more suspicious circumstances, killing another one of his partners. In short order, the mistrust of Finney's colleagues flares dangerously close to criminal prosecution, while a mysterious rogue fire engine tries to run him down. Finney starts up his own investigation of the fires, and even manages to spark up a romance with Diana Moore, the department's only female firefighter. But when Finney's amateur sleuthing turns up a crooked business tycoon and an arson insurance scam involving Seattle's tallest tower, Emerson turns up the heat. The novel is, as expected, long on details of firefighting and its incipient hazards, though there is little mention of the real and enduring conflicts between the investigative arm of firefighters and law enforcement. Newcomers to Emerson's work who enjoy thrillers like Suzanne Chazin's The Fourth Angel should find little to complain about; as an example of the genre, however, in plotting and dialogue ( I ain't seen nothing but this goddamn smoke. Thought maybe my first wife was in there cooking dinner. ) this is at best a two-alarmer.
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